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Film Analysis: Band Frontman Jason Williamson Takes On Role in Sceptical Look at Ecstasy Generation Era

The work of Portishead co-founder Geoff Barrow, this scabrous though undernourished first film turns a sceptical eye on 90s rave culture. Self-serving pillhead David (the actor) initially steals from an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Darkly Funny Confrontation

The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.

Visual Flair and Music Video Sensibility

Just a single important plot development, but it results in a hilariously staged rampage on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of bugs in headlights in the early stages, he now goes all out with the full psychedelic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.

The film is in UK and Irish theaters from 17 November.

LA
Written by

Laura Alexander

Elena Marchetti is a business strategist and writer, specializing in entrepreneurship and leadership.

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